I’m starting to think that Dante and Rodin spent a lot of time hopping trams in Antwerp, because taking one of these on a daily basis is Divine Comedy in itself.
“Abandon all hope, ye who enter here”
Anyone acquainted with Dante’s Inferno knows that this is the sign swaying over the entrance to hell in that story. Sadly, it’s also my exact thought every time I enter an overcrowded, jam-packed Tram 7 heading to work in the morning. Being a man of the people, I take the tram/subway to work quite often. It’s not always pleasant. Scratch that, it’s bearable. Sometimes. Not really. On one of the rare occasions during which I managed to grab hold of an actual seat, giving me the opportunity to sit like a decent human being instead of clinging to one of the bars on the ceiling and swinging upright like a drying carpet in that vertical sardine can, I remember catching a glimpse of my reflection in the condensated windows. I couldn’t help but notice the eerie resemblance between the pose I was in and the one Rodin’s Le Penseur is perpetuated in, perched on top of the doors representing Dante’s infamous Gates to Hell. The similarities between that rusty tramlike cage and the cavernous confines of hell didn’t stop there.